Posted in 2025-2026, Assignments, Reading, Research, Social Sculpture, Writing

MA Fine Art Digital Student Research Paper

Some advice from someone who went through this during one of the strangest periods of my life: first, believe me you will be fine! Secondly, anyone who has reached this point is capable and already moving in the right direction.

Choose what genuinely interests you. Read from different sources and use their reading lists, references, and resources to trace where ideas began. Have conversations with yourself about your work, explain what you are doing as if you were lecturing a BA student or leading a workshop; ask yourself what you would share and why!

You don’t need to read every book from the first page to the last.. Use the index to search for your key words, this is especially helpful when time is tight.

After I submitted my final assignments, I shared my research draft with my artist friends and just received praise. Later, I shared it with a friend who is a midwife and a PhD researcher in gynaecology. She gave me the most valuable feedback and asked thoughtful, constructive questions. This made me feel genuinely confident about the work; if someone outside your field can engage with your writing , that is a very good sign. My advice, therefore, is to share your second draft with the right non-artist friend from a different profession. It can open your eyes to perspectives that no artist including yourself could see.

Some “Don’t” Advice I Wish I Had Given Myself!

  • Don’t leave “small” tasks until the last minute.

They are the easiest to forget and can cause unnecessary stress close to submission, title’s page, formatting, construction, references, PDF …etc

  • Don’t rely on memory alone when submitting work.

Overwhelm and fatigue can make important details easy to miss, use a checklist instead, revisit the research guid’s page on your course blog!!

  • Don’t rename files by changing word order.

Playing with wording in file names can quickly become confusing; numbering drafts is far clearer.

  • Don’t hesitate to explain personal circumstances.

Even if it feels close to the deadline, communicating difficulties puts you on safer ground.

  • Don’t limit your reading to your own cohort’s blogs.

You miss valuable learning by not looking at work from earlier years.

Final Paper:

Third Final Draft:

Second Draft :

First Draft:

Posted in 2024/2025, Assignments, Reflection

Unit 1 Assessment

Learning Outcome 1:
Formulate, describe and implement a challenging and self-directed programme of study, relating to your Study Statement. (Assessment Criteria: Enquiry):

My work explores topics of communication, connection, and collective experience through projects such as Al-Mayida, Letters to the Moon, asemic writing, and childlike drawings. Each project looks at how art fosters debate, narrative, and inclusivity. Interviews with Pedro Reyes about social sculpture, White Pube’s new book, and Axis’ Artists That Write have all inspired me. Furthermore, the Art for the Earth’s Sake initiative stressed the importance of adopting an ecocentric perspective to social practice. All of these influences have shaped my self-directed method, in which I investigate and learn from literature and artists, as well as my own artworks.

Learning Outcome 2:
Implement appropriate working methods for building an independent and effective self-organisation that enables the critical engagement with practice-based research.
(Assessment Criteria: Process):

In projects such as Al-Mayida, I experiment with diverse curatorial approaches, but in Letters to the Moon, I prioritise participant interaction. My process-driven approach accepts ambiguity and improvisation, which is consistent with Jonathan’s reflection in action research. The final session of Art for Earth’s Sake was especially powerful, as we discussed how artists can practise sustainability, set a good example, and utilise art as a tool for social and environmental change. 

Learning Outcome 3:
Communicate a critical understanding of your developing practice.
(Assessment Criteria: Knowledge, Communication):

My work is a type of social sculpture, an ever-changing discussion that connects personal and collective experiences. Projects such as Al-Mayida focus on unity and history, whereas Letters to the Moon promotes communication and community involvement. My efforts with asemic writing and childlike drawing disrupt art’s traditional hierarchies, emphasising authenticity and accessibility.

At last, I want to utilise art to promote social interactions and spark meaningful discourse about sociopolitical and environmental challenges. Through documentation, reflections, short courses, and visits, I hope to create work that promotes connection, dialogue, and communal action.

Feedback requests:

I would appreciate feedback on two experiments I’m currently working on: Asemic writing with translation and childlike drawings. Both approaches are new and quite different from one another.